How to dap and dome metal jewelry

April 8, 2011

Cymbals of Happiness bracelet by Sondra:
stamped, textured and domed copper and brass disks make a tinkling charm bracelet.

It took me awhile to accept “dapping” as a real word. Even now that I am obsessed with dapping every flat piece of metal that crosses my path, I still find the term awkward. Spell check, ignoring the facts as usual, still doesn’t believe.

In jewelry making, dapping simply means taking a flat piece of metal and curving it into a dome with special dies and punches, called a dapping set. The dapping block (or die if you prefer) has a series of concave impressions that correspond in size with the dapping punches.

Rings & Things #69-199 dapping set by Eurotool, and a variety of flat and dapped metal pieces.

Simply place your metal piece in the block and use a hammer (preferably brass) to repeatedly tap the punch into the metal. I say tap because your goal is to gently bend the metal into a smooth, even curve. If you just whack as hard as you can, the metal won’t shape up evenly.

The entire piece of metal needs to fit inside the impression, not sit on top like in this picture.

Here the metal pieces are inside the impressions, ready to be dapped.

Another tip: don’t hammer straight down on your metal. Hold the dapping punch at and angle, and tap tap tap with your hammer, turning your metal after every few taps to ensure that it is shaping up nicely.

For best results, keep rotating the die and the metal.

As you dap (tap, dome, whatever!), the height of the metal piece increases, while the width decreases. So after you’ve dapped as much as you can in one impression, you can move the metal into the next smallest hole and dap it with the next smallest punch to get a deeper dome.

Doming adds a professional quality to your work. Even just a slight curve instantly makes a metal disk reflect more light.

Just a few taps is all it takes!

Brass, copper, aluminum and sterling silver are all excellent soft metals to dap (most of my images are of raw brass blanks). Even copper coins can all be dapped, although coins are thick and will require you to apply a bit more muscle. If you want to stamp, texture, punch holes, or otherwise adorn your metal (and you will!) do all that before you dap for beautiful results:

Use stamps to monogram brass disks for easy, elegant earrings.

Dapped pieces can be layered too, like on my copper and brass ring. (See bottom of this blog for tips about making this ring.)

One word of warning – you might need to upgrade your photography equipment to get good pictures of your dapped jewelry! I think the only way to get a clear picture of Mollie’s “God Save the Queen” necklace would be to use a professional light box. The domed Canadian penny is amazingly reflective. Since my photo-editing software lacks a “rhinestone-reflection remover tool,” this is as good of a shot as I could get. Believe me, the necklace is stunning in person!

A domed penny, brass filigree and snippet of rhinestone chain, all soldered onto a brass disk, forms the centerpiece.

I know you are quicker on the uptake than my computer: add dapping to your jewelry-making vocabulary today! ~ Cindy

—————– postscript: —————–

We’ve gotten a bunch of questions about Cindy’s copper and brass “True” ring above, but she has moved away, so I’ll do my best to answer. The ring uses only 3 parts:

a round bezel ring (#51-205-02-1) as the base
a textured and dapped copper ring/washer blank (#44-780-25 or -26)
a dapped brass disk blank

Texture the copper washer using this technique, or simply give it a nice hammered texture with a chasing or ballpein hammer. Stamp “true” on the disk following these metal stamping instructions or this metal stamping article. Then dap (dome) the washer and the brass disk, and glue them into the bezel ring with your favorite adhesive. Cindy used E-6000. ~Polly

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How to use heat to patina brass charms and filigrees

March 31, 2011

One before and two after applying heat patina. Check out the rainbows on the middle bee!

Ah, brass. Beautiful brass. I love everything about using brass in my handmade jewelry … except its raw brassiness. Brass is affordable, easy to work with, and available in all kinds of fun charms and filigrees. And while giving raw brass an antique patina with an oxidizing solution such as Win-Ox really is not difficult, my favorite method of coloring brass is the torch! It tones down that brash brassiness to a beautiful warm glow that is infinitely more appealing to my eye.

Torching the bee charm only took a few seconds.

Applying heat to give the metal a patina is so easy – and clean! No chemicals, no rinsing, no waiting! Sometimes you can even get shimmery rainbows to appear by holding the heat on for a few extra seconds. (The same process works to heat patina raw copper.)

Raw brass filigree, before and after meeting the torch flame.

You all know to set up a heat-proof work area before firing up your torch. This can be as simple as a cookie sheet. Tie back your hair, wear safety glasses and just plain BE SAFE. Do your homework before you start. A great book that explains all the necessities for working with a torch is Soldering Made Simple by Joe Silvera.

Butane is widely available at hardware stores.

Don’t feel fired up to experiment? You can buy Vintaj natural brass jewelry components, most of which have already undergone a chemical-free process to give them their rich color.
Plated brass filigrees are also available. But I encourage you to try heat patina. It is the safest way to let your inner pyromaniac out to play!

Velvet ribbon adds a luxurious feel to this brass bracelet.

Here is a gorgeous brass jewelry example by Mollie to inspire you! She soldered a raw brass bee to a Vintaj connector to make this bracelet and used both heat and Win-Ox to patina the pieces. ~ Cindy

Want to keep that perfect heat/torch patina that you’ve achieved? Nikolas #2105 Clear Silver Lacquer is the product we’ve most often heard recommended by teachers and jewelers, to protect heat patinas and other colors on silver, copper, brass, and bronze. Follow the manufacturer’s instructions on the packaging, to seal and protect your jewelry. When properly applied to metal surfaces, it forms a coating that protects from oxidation, perspiration, sulfur, and abrasion.

Please note, that this item does require special hazardous shipping, so be sure to select UPS GROUND as your shipping choice during order checkout.

How to make interchangeable magnetic jewelry with 1" buttons

March 24, 2011

Handmade magnetic bottle cap necklace with assorted buttons
Mollie has been borderline obsessed with one particular item lately. It’s not a pretty gemstone bead or sparkly crystal pendant. It isn’t even new. No, Mollie is obsessed with plain old sticky dots. Almost daily, she’d ask me, “Oooh, have you tried the sticky dot?” and I’d just roll my eyes. But now I’m a convert too.
Sticky dots are just that – self-stick little glue pads. Easy to use, strong, zero mess, no fuss, no cure time, no smell. This is true instant gratification!

Round sticky dots fit perfectly under our magnets!

Two of Mollie’s recent designs use the sticky dot: the interchangeable magnet ring and the interchangeable magnet bottle cap pendant. Like many of you crafty people, Mollie has a button making machine. The little 1″ buttons are particularly adorable, and since they are made of steel, naturally they are magnetic. I don’t have a button machine myself, but I buy lots of buttons – and now I can wear them instead of leaving them on my bulletin board!

Here’s the magnet

Here’s the pendant – so cute!

Rings & Things’ wholesale price breaks makes it really affordable to make a whole bunch of these necklaces. For about $50 (before shipping and tax, if applicable) you can get everything (except the buttons) to make 70 necklaces – with supplies leftover! If you don’t already have one, add a pair of EuroPunch plier s to make holes in the caps.

1 spool of ball chain (makes 70 17″ necklaces) $18-25 ~ 100 ball chain clasps $2 ~ 1 oz. jump rings $5-6 ~ 100 bottle caps $7-10 ~ 144 adhesive dots $6 ~ two packs of 35 magnets $12-14

The adhesive dot is completely hidden by the ring and magnet.

1″ buttons make perfect rings!

The same value applies to the magnetic ring design – and absolutely no tools are required to make these!

72 adjustable flat-pad ring blanks $42-62, depending on color (we do sell a less expensive ring blank if you prefer, but the style and comfort of this style is worth the added cost) ~ 144 adhesive dots $6 ~ two packs of 35 magnets $12-14

At these quantities, the necklaces cost less than a dollar and the rings about $1.20 to 1.50 each to make. Buy more and the cost per is even lower. Ah, the genius of good design! ~ Cindy

“Make everything as simple as possible, but not simpler.”
~ Albert Einstein

PS: here are some handy links to some other how-to’s in the Rings & Things blog!

How to make polymer clay pie earrings using mini bottle caps as pans!

March 18, 2011

If they weren’t so disgustingly cute, they’d be good enough to eat!

Hello, bloglandia! We just added a whole bunch of bottle caps to our mixed-media jewelry product line. The best of the bunch, in my opinion, is the cute little mini cap.

Wee bottle caps make regular size (1″) ones look huge in comparison!

As soon as I saw them I became obsessed with making tiny pies. It was basically an illness that I had to treat before I could move on with my life. So today I went ahead and baked my little cherry pie earrings. Disclaimer: I am by no means a polymer clay expert. My skill level is clumsy at best. But really, I think anyone can have fun making these! Here’s how:

These pliers make it so easy to punch holes!

Punch holes in the caps. I used our EuroPunch pliers, which handle the job easily. However, since bottle caps are steel they will wear out the punch tips eventually (just replace the tips, not the pliers!).
Add jump rings.
Condition your clay and load up the tins with pie filling. I used magenta Kato polyclay. I also added a little red liquid polyclay. I like how the liquid added a realistic pie filling gooeyness, but if you are more of a perfectionist, omit the liquid clay. A note about Kato – it is fairly stiff and crumbly straight from the package. Since I was just making one pair, I kneaded it by hand, but it would have been way easier to condition a bigger lump of clay using a pasta machine.
Roll out your pie crust – mine is yellow mixed with a little “beige flesh” color. Cut the crust into thin strips.
Criss-cross the strips over the pies. Press down gently and trim off the ends.
Criss cross to make a traditional lattice top.
Ready for the oven!

Following the instructions for your type of clay, bake the pies in a toaster oven to cure.
Use 2 more jump rings to attach the pies to ear wires (I used steel blue niobium).

Pie is the new cupcake, I’ve been told. What do you think? Can a pie really be as cute as a cupcake?

Well, I thought baking these earrings would cure me of my pie obsession, but then a friend suggested making blackbird pie (from the nursery rhyme) and now I really want to make that too! And what about Pi Day earring? What kind of clay creations can you imagine making with these bottle caps? ~ Cindy

PS: here are some handy links to some other how-to’s in the Rings & Things blog!

How to make wrapped leather bracelets

March 8, 2011

Triple-wrap leather bracelet with blue tigereye beads

Let me begin by stating the obvious – this style of wrapped leather bracelet is EVERYWHERE this season. Everywhere! Even my athletic clothing catalogs – which only have maybe three pieces of jewelry – are featuring this style. Why? Because it is casual yet chic and infinitely customizable! The catalog (which shall remain nameless) priced each bracelet at $120. Needless to say, you can make your own for far, far less using supplies from Rings & Things!

Five different leather wrapped gemstone bracelets designs: green opal, mookaite, African turquoise, hematite and rhodonite

The supply list is pretty short:

4-6mm round beads We used gemstone beads, but glass, crystal beads or pearls would also be lovely. The number you need depends on how many times you want to wrap the bracelet around your wrist. Larger beads work too – but they will start getting heavy on multiple-wrap styles. All the bracelets pictured in this post use 6mm. Our new wrapped bracelet kits use 4mm beads. <– The kits are great, because once you make your first bracelet, you’ll have plenty of thread and needles left over with which to make many more!
Leather cord Our examples use Greek leather. Both the 1.5mm and 2mm worked great.
Thread Needs to be sturdy and able to pass (doubled) through your beads twice. Pick a color that matches your leather or that provides a pretty contrast. We used earth assortment). We now have tubes with all black or all brown bobbins available too!
Button or bead for the clasp. Rings & Things has some pretty buttons from TierraCast.
Required tools: needle (size 12 is a good general choice), scissors, work surface with clips or clothespins.
Optional tools: needle threader, thread conditioner, glue (GS Hypo Cement, Bead Fix or other fabric-friendly adhesive for extra security on your knots).

Wrapped bracelet made with green opal gemstone beads and natural Greek leather.

The technique:

Choose your bracelet length and cut your leather. The formula is double your finished bracelet length plus extra for making the knots. For single-wrap bracelet, measure your wrist and then triple that number to get the length of leather needed (7″ wrist = 21″ of leather). For a triple-wrap, multiply your wrist by seven (7″ wrist = 49″ leather). It is better to leave your leather too long than to end up with not enough.
Cut a long piece of thread (10-12 feet) and thread your needle. Knot the end of the threads.

Knot the leather and thread together, leaving a loop on the end.

Holding the thread by the knot, let the needle fall to the ground so it is centered on the thread. Fold your piece of leather in half, leaving a loop large enough for your button to fit through. Holding the knot-end of the thread with the leather, tie an overhand knot so that your thread and leather are now connected.

Make sure your button will fit through the loop before you tighten the knot.

Using binder clips or clothespins, attach your loop to the top of a piece of cardboard. Use a second clip to attach the leather ends to the bottom of your board (leave the thread loose).

Starting with your thread in the middle of the two strands of leather, wrap the thread OVER the right strand to the outside, then UNDER the right, OVER the left to the outside, then UNDER the left and OVER the right. It is a simple figure-8 stitch.

how to stitch a wrapped leather bracelet — Over, under, over, under – once you get a rhythm going, the bracelet is super easy to make!

Do this 5-6 times, pulling the thread tight around the leather to form a binding. (The pattern could go either way, but since I’m right-handed I’m going to describe it this way. Reverse it if needed!) Here is a close-up of the lashing:

A few stitches without beads secures the thread nicely on the leather.

Now you are ready to start adding beads. After your thread has passed UNDER the left leather, add a bead. Hold the bead between the two strands of leather, and stitch the thread OVER the right, back UNDER the right, THROUGH the bead hole again and OVER the left. Bring the thread UNDER the left and add another bead in the middle. Repeat many many times! Keep the beads pulled in snugly against the leather. Pay attention so that your stitches all face the same way. If your thread seems to snag a lot, use a bit of thread conditioner or beeswax on it.

Adding the first bead to a wrapped bracelet – but really I’m posting this picture to show off Jaci’s manicure!

A work in progress. See how the beads line up inside the leather?

To finish the bracelet, form several stitches without beads, just like you did in step 5. Now you are ready to attach your button or bead. Ideally, you’ll have enough leather left to tie on a button with a nice knot on the back and trim the ends.

button end for wrapped leather bracelet — Long tails makes it easy to tie on a button closure.

If your button has a small loop, you might need to miter (angle) the leather end and pull it through with pliers.

Buttons, disk beads and crimp ends can all be used to finish the bracelet ends.

If somehow you come up short, all is not lost. You can tie a disk bead onto just one strand of the leather (use glue to enforce your knot), like on the 2nd bracelet from the left. Or if your ends are really short, use a hook-end crimp, as shown on the pink bracelet on the right.

If desired, add a touch of glue to the knots to ensure the thread is gripped securely by the leather. Trim ends as needed.

Other design options:

String your button or bead clasp first, then tie a series of knots on the end to make the bracelet length adjustable.
Use jump rings to attach a couple of charms, like on Mollie’s Belle Star bracelet.
Leave the leather tails long and add beads or decorative knots.
Substitute a different type of cord for the leather, as in Tracy’s rattail and dragon blood jasper design:

wrapped gemstone bracelet with rattail instead of leather

Have fun creating your own wrapped bracelets! You’ll find it is quite addictive once you start. Please feel free to post questions – I will do my best to answer! ~ Cindy

Need supplies? Rings & Things ships around the world! The most popular wrapped leather bracelet supplies are:

Round gemstone beads | 6mm round glass beads
1.5mm Greek Leather cord | 2mm Greek Leather cord
Thread (size D Super-Lon)
TierraCast buttons (to use as a clasp)
Size 12 beading needle
Or – complete wrapped leather bracelet kits!

Q: “How do you start a new thread in the middle of the bracelet?”

(answers selected from replies to blog comments)

A: It’s best if you can avoid running out of thread (start with 10-12 feet to avoid running out). But if you do, start a few beads back and go through them again. This means you’ll have to go through some of your beads 4x, which (depending on your beads and cord) might be impossible. Other problems are that your bracelet will be weaker than if you were able to use 1 continuous thread, and you’ll be able to see the section that has twice as much cord as the rest of the bracelet.

A2: Get really good at hiding knots in your beads. =)

A3: If you’re down to just a tiny bit of thread, it is going to be hard to tie the ends onto new strands, but if you realize you’re not going to make it and cut off the needle, rethread and knot the strands together, you can probably pull the knot inside of a bead. I hope this makes sense – basically, you’re not “starting anew” but pausing, adding on some extra thread, and picking up right where you left off. 🙂

Edited December 2021 to update links.

Fickle Heart necklace

February 28, 2011

Hi bloglandia! This is jewelry designer Cindy. I was asked to write about my favorite piece of jewelry that I myself created for Rings & Things’ 2011/2012 catalog…

Finished “Fickle” copper clay necklace

I picked Fickle because I love working with COPPRclay. Yes, you need a kiln (I bought the Caldera). I know that is an obstacle for a lot of people as kilns aren’t exactly cheap. Best to view it as an investment rather than an impulse buy. But once you have it, all kinds of jewelry-making doors are open to you: fused glass, ceramics, enameling and, of course, metal clay!

I made the Fickle heart pendant during an in-house training session. Since it was my first time working with COPPRclay, I didn’t have any big goals in mind when I started. I just wanted to see how the copper clay behaved compared to bronze clay and silver clay. I was really happy with its workability. It took textures easily and didn’t dry out too quickly. It was easy to connect pieces with a little slip. As you can see, we had a full range of tools and textures and other fun things to play with.

copper clay workshop supplies

I don’t know why I wrote “fickle” on the clay. I had just finished a trail run, despite my insistence that I am not a runner, so maybe my subconscious was just acknowledging what the world already knows: I change my mind every 3.2 seconds.

Anyway, I just Googled the phrase “fickle heart” in the hopes that there was a meaningful, well-known quote I could claim as my inspiration. There wasn’t. But, I learned that the Brit band Sniff ‘n’ the Tears released their first album, titled Fickle Heart, in 1978, which just so happens to be the year I was born. How’s that for serendipity?

COPPRclay before being fired

I hung my fickle little heart with night blue Swarovski crystal pearls, using dotted copper ring beads as spacers. The back of the necklace is two strands of silky rattail. I really wish rattail wasn’t called rattail — it is such an unappealing name for such a nice, soft, affordable cording. The only drawback to working with rattail is its tendency to fray when you cut the ends, but that is easily solved by wrapping a little piece of tape around it before you cut. Dabbing a bit of glue on the cut end also works.

Whether you are fickle like me or constant and true in your affections, I highly recommend COPPRclay as a way to create jewelry that is personally meaningful. Have fun creating your own designs!

Project Alert: How to use leftover beads to make a Statement Piece!

February 25, 2011

This blog is designed to address what I call “Orphan Beads”…

If you are a jewelry maker, then inevitably you have some beads lying around at your house or in your studio. You know what I’m talking about; those stray beads leftover from projects past? A gemstone here, a few lampwork glass beads there.

Too often these lost beads find homes at the bottom of our “bead organizers” and ” junk drawers” to never be used. I used to stare at these beads with turmoil, wondering how to organize them. In fact, I am ashamed to admit that in fits of OCD cleaning, I have actually thrown these lost beads away.

But at last, I have found a project to use these stray beads, and in a way that is actually appealing!

To begin this project, you need very little. Start by collecting all of your “orphan beads” together. Now pick one color palette to work within. As you can see here, I have chosen to work with hues of blue and teal.

Try to find an assortment of beads in varying materials. If you look closely, you can see my assortment contains some Mother of Pearl, Magnesite Skulls, Resin Rectangles, Foil Glass, Recycled Glass Trade Beads, Turquoise, Amazonite, Shell Pearls, Paua Shell and even some Coral from our limited-availability stock. (Just to name a few!) I also found some various beads in Antiqued Silver Plate. I think it looks nice to add a metallic touch! If you like, you can incorporate some found objects as well, such as buttons and washers, into your design.

Once you have your random bead assortment, then you can begin the stringing process. I like to use waxed linen cord with a little GS Hypo Cement to seal any knot ends.

Start creating your necklace with a bead that has a hollow ring-like shape if possible, like I have done below. Cut a piece of waxed linen about three or four feet long. Find the center of the strand and tie the linen around your first bead, securing with a simple knot.

Now begin adding beads from your random assortment. Just place one of the two strands through the holes of the beads. Secure with a knot between each bead.

This is a good time to have a bead reamer handy for those beads that have a hole just a little too small for the waxed linen. Continue this process until you get near the end of your strand of waxed linen. Use another hollow ring-like shape bead here. Tie a secure double knot, trim the waxed linen and seal the edges with hypo fabric cement.

Cut a new strand of waxed linen and repeat the process. I like to make a necklace that ends up long enough to double over and still be long, or triple over and be really chunky. (About 7 feet total!)

The end result is a mixed-media statement necklace that utilizes all of your random leftover beads!

Tiffany White

Rings & Things Showroom

Design Team

PS: here are some handy links to some other how-to’s in the Rings & Things blog!

www.rings-things.com

Mardi Gras: A Celebration of Beads!

February 3, 2011

Here at Rings and Things, we eat, sleep, and breathe beads. In fact, some nights I think I actually dream about beads! We are by definition bead enthusiasts. Every year I can think of only one day, in one city, that celebrates beads in a way that can possibly rival our passion here at Rings and Things: New Orleans on Mardi Gras!

Let the good beads roll!

Each year, 46 days before Easter Sunday, the Big Easy erupts into a Bead Mecca. Beads are thrown from the balconies, collected by party-goers and hanging from the trees. The city is literally decorated in beads like a Christmas tree is adorned with tinsel.

In honor of such an amazing display of beads, I have decided to design some Mardi Gras-inspired jewelry that can be easily re-created to celebrate the big day, whether you live in New Orleans or New Hampshire!

This jewelry features beads in classic Mardi Gras colors; Purple, Green and Gold. (Did you know? — these symbolize respectively Justice, Faith and Power.) There are also cute little gold Fleur de Lis charms, an image synonymous with New Orleans. The jewelry is done using all gold-plated findings.

All of the supplies to make these items are readily available at our on-line store, www.rings-things.com! Any questions on making the jewelry? Contact us at 1-800-366-2156 and mention this blog!

Mardi Gras is on March 8th this year. So hurry and get your jewelry making supplies to celebrate Fat Tuesday in style! These projects are both affordable and fun!

—Tiffany, Designer, Rings & Things

P.S.: Want more Mardi Gras jewelry inspirations? Enjoy our “Mardi Gras Memories” bracelet and “Mardi Gras Choker” designs!

Make your own no-solder resin bezels!

June 18, 2010

The no-solder bezel-making workshop in the Rings & Things showroom a few days ago was a huge success. Thanks to our customers who joined in the experiments down in the lab!